Review: The Phantom of the Opera


First published in French as a serial in 1909, “The Phantom of the Opera” is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine’s childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous ‘ghost’ of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster. Leroux’s work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik’s past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Rating: 5-stars


The Phantom of the Opera by Gaston Leroux is quite a tale. Dark, intense, and dramatic. Every page builds the momentum. Suspenseful and cleverly written. The Phantom Ghost is not a ghost at all. But a mere mortal. Yet he brings upon fear and darkness at the Opera. Love, jealous, and murder. This was an interesting piece of literature. I was in love. It had everything I expected and more. Gaston Leroux was a great writer. His words lured me deeper into his fictional world, The Phantom of the Opera. Music, death, and drama at the center. Absolutely, fascinating to read. I recommend this book to readers worldwide. 

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